Essays
Estelle Hoy, Ordain me Queer or Not at All, essay, part of the catalogue for the solo exhibition Susurros Barrocos at Sammlung Philara, 11 November 2022 – 5 March 2023
Julika Bosch & Hannah Niemeier, interview with Mercedes Azpilicueta, part of the catalogue for the solo exhibitionSusurros Barrocos at Sammlung Philara, 11 November 2022 – 5 March 2023
Manuel Segade, Hermosa Compostura [Oh For a Lovely Scene], essay, part of the book Cuentos Mestizos, edited by Fundacion Maria Jose Jove (A Coruña) and Turner Libros (Madrid); and designed by desescribir [Cibrán Rico / Suso Vázquez]. December, 2022.
Anik Fournier, Mercedes Azpilicueta: Onze Roeping, on Joyful Militancy, essay for publication by ROZENSTRAAT – a rose is a rose is a rose, as part of the performance Onze Roeping, on Joyful Militancy, 2 – 3 July 2022
Thomas van Huut, Het weefsel van de geschiedenis, essay for publication by Paradys – Arcadia Triennale, Leeuwarden, 2022. (in Dutch)
Susanna Vargas Cervantes, essay, The Feminist Drive of Language, as it appeared in the catalogue by published by Mousse, part of the solo presentation at C4, Kunstmuseum Liechtenstein, 20 May – 4 September 2022
Steffanie Hessler, Monstrous Glitches and Loving Intensities, curatorial essay, part of the group exhibition Unweaving the binary code, Hannah Ryggen Triennale, Kunsthall Trondheim, 25 March – 7 August 2022
Verónica Rossi, Inner Experience, essay, part of the solo exhibition Bondage of Passions, Gasworks London, 19 May – 4 July 2021
Virginie Bobin, text for ‘Bestiario de Lengüitas [Bestiary of Tonnelets]’, solo exhibition at CAC Brétigny, Brétigny-sur-Orge. January 17 – July 3, 2021
Matisse Huiskens, Eindhoven, van Abbemuseum – Mercedes Azpilicueta, The Captive: Here’s a Heart for Every Fate, 2019; text for Metropolis M – Nieuwe Collectie 2020. January 2021 (in Dutch)
Laura Preger, Yegua-yeta-yuta de Mercedes Azpilicueta: el lenguaje del cuerpo y el cuerpo del lenguaje, Argentina Performance Art, July, 2020.
Virginie Bobin, text for ‘Bestiario de Lengüitas [Bestiary of Tonguelets]‘, solo exhibition at CentroCentro, Madrid. October 4, 2019 – January 19, 2020
Julia Morandeira, text for ‘El viejo sueño de la simetría [The old dream of symmetry]‘, solo exhibition at NoguerasBlanchard, Madrid. February 14 – March 23, 2019
I speak my body by Laura Hakel, curatorial text and part of the catalogue for the solo exhibition Cuerpos Pájaros at Museo de Arte Moderno de Buenos Aires, Argentina. November 2018 – March 2019
(Spanish)
To our sole desires by Virginie Bobin, text for the catalogue of the solo exhibition Cuerpos Pájaros at Museo de Arte Moderno de Buenos Aires, Argentina. November 2018 – March 2019
(Spanish)
The two hundred things I told you by Mariano Blatt, text for the catalogue of the solo exhibition Cuerpos Pájaros at Museo de Arte Moderno de Buenos Aires, Argentina. November 2018 – March 2019
(Spanish)
Somatic experiences of hyper-connection: “Un Mundo Raro” by Mercedes Azpilicueta, by Renata Zas, 2017- ongoing research -written Dissertation at Goldsmiths, University of London, Department of Visual Cultures, tutored by Irit Rogoff
Geometric Dancer Doesn’t Believe in Love, Finds Aspiration and Ecstasy in Spirals by Daniela Brunand for the publication around the figure of Valentine de Saint Point co-organized by Paul-Andre Claudel and Elodie Gaden and published by the Université de Nantes, France. T.b.a. 2019. (In French)
Lecciones de geografía by Leticia El Halli Obeid, text (in Spanish) for the solo exhibition Barda del medio / Middle bard at Centro Cultural Jorge Luis Borges, Buenos Aires. Also published in Planta magazine, Buenos Aires, Argentina. Septiembre – Octubre, 2010.
